LASN is a photographically oriented, professional journal featuring topics of concern and state-of-the-art projects designed or influenced by registered Landscape Architects.
Issue link: https://landscapearchitect.epubxp.com/i/120967
BEFORE Mean,��� commonly found in nature. The cascading ���Mountain Fountain��� is the ���source��� for the plaza river and its color-changing light system is in synch with the choreography of the ���River of Light.��� The ���Anaheim Fountain��� is a central feature of the Grand Plaza, with four steel overhead palm-shaped arbors framing an abstract representation of the original town layout of the city of Anaheim. The fountain consists of three basalt rock water columns. The arbor structures change color as the light show dances along the ���river.��� At the east end of the Grand Plaza, the traffic circle is designed to relieve congestion on Convention Way and Hotel Way by allowing a more fluid traffic flow. The 45-foot entry AFTER marquee tower at the traffic circle is a beacon that anchors the east end of the Grand Plaza. An internal color changing system illuminates and animates the tower to welcome visitors from around the world to the Anaheim Convention Center. The metal sculptural element in the center of the roundabout is a smaller-scale replica of the Convention Center Tower, yet provides a dramatic arrival statement. It serves as a ���front door��� sign, identifying the Anaheim Convention Center. The Anaheim Convention Grand Plaza represents the most current use of architectural and landscape lighting design technology and sustainability. Lighting and electrical requirements were complex, requiring careful consideration of aesthetics, function, operations, maintenance and budget. Before Convention Way previously carried transit buses, taxis and passenger vehicles pass the front of the Convention Center and the adjacent hotels, creating major conflict between vehicles and pedestrian, especially during major conventions and shows. After The Grand Plaza, on axis with Anaheim Stadium and the Santa Ana Mountains in the distance, provides a more pedestrian-friendly space, while accommodating limited vehicular and transit circulation. The ���river��� of blue paving (a metaphor of the Santa Ana River) meanders through the plaza between the Ocean Fountain (foreground) and the Mountain Fountain. April 2013 41